CATALÀ CATALÀ Queerass(é). Act I: Chants of a genderless body A figure covered in plaster cracks, dismantles itself and reveals what never fit. Queerass(é) does not represent an identity: it carves it. The stage becomes porous; the audience is inside, touched, invoked. There is no fourth wall. There is skin, breath, vertigo. This work does not seek a form: it undoes form as an embodied gesture. Between choreography of rubble and indocile ceremony, it resonates like a spirituality without temple, made of bodies that offer themselves without guarantee, like provisional dwellings of desire. Crystallized identity breaks and presence becomes a rhizome, without origin, without end, without centre. Queerass(é) moves like a collective body in flight, between text, movement and image. It was created without subsidies or obedience, outside the cultural thanatopolitical circuit. It was born in a living room and rises in the theatre as an embodied trench.
